Abstract: The increasing sophistication of computers has made digital manipulation of photographic images, as well as other digitally-recorded artifacts such as audio and video, incredibly easy to perform and increasingly difficult to detect. Today, every picture appearing in newspapers and magazines has been digitally altered to some degree, with the severity varying from the trivial (cleaning up 'noise' and removing distracting backgrounds) to the point of deception (articles of clothing removed, heads attached to other people's bodies, and the complete rearrangement of city skylines). As the power, flexibility, and ubiquity of image-altering computers continues to increase, the well-known adage that 'the photography doesn't lie' will continue to become an anachronism. A solution to this problem comes from a concept called digital signatures, which incorporates modern cryptographic techniques to authenticate electronic mail messages. 'Authenticate' in this case means one can be sure that the message has not been altered, and that the sender's identity has not been forged. The technique can serve not only to authenticate images, but also to help the photographer retain and enforce copyright protection when the concept of 'electronic original' is no longer meaningful.

@inproceedings{1994tetr,
  urltype      = {Subscription},
  url          = {http://ieeexplore.ieee.org/xpl/freeabs_all.jsp?arnumber=267415},
  booktitle    = {NASA, Washington, Technology 2003: The Fourth National Technology Transfer Conference and Exposition, Volume 2 p 430-435 (SEE N94-32420 09-99)},
  author       = {Gary L. Friedman},
  month        = {feb},
  volume       = {2},
  keywords     = {CAMERAS, CODING, CRYPTOGRAPHY, DIGITAL SYSTEMS, PHOTOGRAPHIC PROCESSING, PHOTOGRAPHS, SIGNATURES, ELECTRONIC MAIL, IMAGE PROCESSING, IMAGES, PHOTOGRAPHY},
  year         = {1994},
  title        = {The trustworthy digital camera: restoring credibility to the photographic image},
  pages        = {430-435},
}